Full-Scope Vocal Production – Comping, Alignment, Tuning, FX & Space (Delays/Reverbs) | 20 Yrs Pro Engineer, Kitsuné Artist, Indy Award | Skins, HBO Girls, Netflix Credits for $350

Full-Scope Vocal Production — From Raw Takes to a Finished, Radio-Ready Vocal

Your vocal is the single most important element in your track. It's what people remember, what carries the emotion, and what separates a demo from a record. I take your raw takes — however many, however messy — and turn them into a fully produced, release-ready vocal: comped, aligned, tuned, and shaped with the space and depth that makes it feel finished, not just clean. Your vocal is the priority on every job I take — it gets the same care and attention I'd give my own record.

Why work with me

I'm not just an editor — I'm a working producer, engineer, and artist with 20+ years of professional experience. I'm the artist behind YOU LOVE HER, a UK electroclash/indie-dance act that debuted in 2008 on Kitsuné Musique's Paris compilation alongside The Chemical Brothers, Bloc Party & Hot Chip, and won the Indy Award for Best Electronic Act at the O2 Forum, London.

My track "Superheroes" was requested for Skins (Series 3, Channel 4/E4) from my debut EP on Kitsuné, and my music has gone on to feature on Girls (HBO), Teen Wolf, America's Next Top Model, and Saints Row: The Third — with sync airplay across Xbox 360, PlayStation, Netflix, HBO, BBC, Channel 4 & E4.

I've toured extensively across Europe, including dates in Russia, headlined CLANX Festival in Switzerland, and played major festival slots alongside Mr Oizo, Breakbot, Crystal Castles, A-Trak & Steve Aoki. I've also engineered sessions at the legendary Real World Studios (Peter Gabriel/Genesis), working around artists like Robert Plant, Goldfrapp, Muse & Placebo. My publishing is listed alongside John Lennon, Yoko Ono, the Bee Gees & Marilyn Manson.

That's two decades of knowing what makes a vocal actually work in a mix — not just technically correct, but emotionally right, on records that have reached millions of listeners across streaming, TV, and games.

What "full-scope" means

Most editors stop at clean and in-tune. I go further:

Comping — your best performance, built from every take you send
Alignment — doubles, harmonies, and ad-libs locked tight to the beat and each other
Tuning — natural or stylized, preserving the character of the performance
Cleanup — breaths, mouth noise, clicks, sibilance, and bleed handled with precision
Space & depth — tasteful delays, reverbs, and width processing so the vocal sits like a finished record, not a dry demo

What you get

A fully produced vocal, comped from all your takes into o